Time to capture, after half-pressing and holding shutter button. That’s especially true when you try to track your subject across the frame. They both have a silent mode (electronic shutter) and an auto shutter mode that switches automatically from mechanical to electronic first curtain shutter depending on the speed used. But if you tend to push against the boundaries of the Z6’s focus system anyway, you’ll run into them sooner when you adapt a lens. The key is that you need to turn ON “View all in continuous mode” in the Shooting/Display section of the Custom Setting Menu. The button and dial layout also seems pretty nice and simple. Note that the Z6 does not lock up completely when the buffer fills; it continues firing individual bursts that range from 4-7 photos per second apiece (with an average of five FPS). 14-bit RAW (Lossless compressed). Nikon Z6 II CSC Camera Body Only. Lastly, I found the Nikon Z6 to focus extremely accurately on a high-contrast test target when using Imatest software – enough so that it matched our best possible manual focus efforts in nearly every case. With Nikon adding automatic eye and animal detection autofocus features into the firmware (more on this below), the Nikon Z6 now stands out from all DSLRs in its ability to continuously track subject eyes, something no Nikon DSLR has been previously able to do. If you are using AF-S mode for single-servo autofocus, the Z6 has an amazing autofocus system that will not disappoint (as explained more in a moment). Nikon DSLRs, especially the newest models, are known for their high-quality phase-detect autofocus systems when shooting via the viewfinder. Some cameras don't snap another shot if you release and press the shutter too quickly in Single Shot mode, making "No" the preferred answer. Sony A6400 is clearly the smaller of the two cameras. When multiple subjects are in the frame, the camera allows switching between all the detected eyes of subjects. Nikon Z6 II has the same height and width with Nikon Z6. But if this is a feature you think you would use, just keep in mind that the Z6 doesn’t have it – at least at the moment. Plus, there are no super-telephoto lenses for the Nikon Z at the moment anyway…. Even the speed of focusing is slower with the FTZ adapter compared to the fly-by-wire system in Z lenses. More realistically, it … Here I review one of Nikon’s new mirrorless models, the Z6, tested solely with astrophotography in mind. Startup and play to record times were about average for a mirrorless. PL provides various digital photography news, reviews, articles, tips, tutorials and guides to photographers of all levels, By Nasim Mansurov 181 CommentsLast Updated On October 28, 2020. That’s no surprise, of course; I wouldn’t expect such insane performance, even though the Fuji X-T3 somehow manages to make it work. NIKON Z 6 + NIKKOR Z 24-70mm f/4 S @ 34mm, ISO 100, 1 sec, f/8.0. The Z6 II has been improved from 12 fps to 14 fps, whereas the Z7 II has increased from 9 fps to 10 fps. A comprehensive instruction manual for Nikon Z 7/Z 6 mirrorless cameras. Note that the Z6 only stops down to focus from maximum aperture to f/5.6. First of all, unlike DSLR cameras that have a separate phase-detection autofocus system that does not always match the lens, mirrorless cameras focus right on the sensor plane. In addition to Eye AF, Nikon has also introduced “Animal Detection” AF mode for tracking animals. The Z6's full AF shutter lag measured 0.219 second with the mechanical shutter (default mode), 0.205 second with electronic first curtain shutter (EFCS) enabled and 0.137 second when using the all electronic shutter. (180K PDF document)). Totally familiar for a Nikon DSLR shooter, fast and intuitive for someone new to the Nikon system. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. Following Sony’s lead, in late 2018 both Nikon and Canon released their entries to the full-frame mirrorless camera market. * When using 12-bit RAW, JPEG or TIFF in high-speed continuous shooting (extended). Time per shot, averaged over 28 shot buffer, then slowed to an average of 0.25s or 4.1 fps when the buffer was full with a lot of variation. To facilitate the capture of moving subjects, it features wide AF coverage, and a focus prediction algorithm that Nikon has refined over years of D-SLR camera development. That’s especially true in dark conditions since the low-light AF doesn’t engage in AF-C mode (and even if it did, it wouldn’t be nearly fast enough to keep up with a moving subject). You need to be more careful about your subject and find something with as much contrast as possible. This is a great way to set an extremely small focusing box to lock onto a very precise subject. Single Shot mode With the latest firmware 3.0, you will also be able to see the new “Animal detection” menu option: Here is a test case scenario, where I photographed my daughter with the Nikon Z 50mm f/1.8 S lens at a fairly close distance: And here is a 100% crop of the above image: As you can see, the camera did well when focusing on her left eye in this case. Autofocus speeds were good as was shutter lag, though not exceptional. As of this writing, a battery grip is unfortunately not available for the Z6, though Nikon is apparently developing one. The Nikon Z6 takes the edge in the continuous shooting stakes, capable of capturing bursts at 12 frames per second (which, unsurprisingly, outclips the 9fps of the Nikon Z7 due to the higher resolution of the flagship mirrorless model). It’s a decent camera, but the EOS R inhabits a bit of a no-man’s land in between the two Nikons and isn’t a convincing rival for either. The continuous shooting capability is one area where the Nikon Z6 has an advantage over its older sibling. The Nikon Z-series is Nikon’s line of mirrorless digital cameras. And as expected, clearing times usually improved as compression was increased, despite deeper buffers. Nikon Z6 II. And, as covered more in a moment, you get the best performance using native Z lenses rather than F-mount lenses via the FTZ adapter. Both of these speeds are fast, but the Nikon Z6 does have the advantage if continuous shooting is a big need in your work. The moulding of the body sits well in your hands despite the unforgivable mispronunciation of the word “protrusion” in the video. It’s really the sports and wildlife photographers who should be cautious about moving to Nikon’s mirrorless system. Other mirrorless cameras have this capability, and some photographers have noted it to be a useful part of their shooting styles. Some Nikon DSLRs offer more than one Continuous shooting mode. Large/Fine JPEG In fact, when compared to DSLR performance with prime lenses, the focusing performance of the Z6 is superior for a number of reasons. While real-world battery life tends to be much better for mirrorless cameras, CIPA-rated battery life is still very useful for comparison purposes. I did not test any of… The Face Detection menu in “Custom Setting Menu” -> “Autofocus” now displays “Auto-area AF face/eye detection”, with “Face and eye detection on” by default. We highly recommend getting a second battery for your Z6. The Z6’s autofocus is superb for static subjects, focusing quickly and accurately, including in low-light conditions. However, when shooting at close distances and when shooting tight headshots with telephoto lenses, the Eye AF algorithm seems to occasionally focus on the subject’s eyelashes instead of the eyes. The Nikon Z 6 can output a 12-bit RAW video stream to an external recorder such as the Atomos Ninja V.³ ⁴ The video stream is recorded as ProRes RAW,⁵ giving you maximum flexibility … So, if you’re eager to make the Z6 your main camera system, you better be willing to accept the somewhat worse focusing performance with the FTZ adapter. When shooting losslessly compressed 12-bit NEF files, the buffer depth was 35 frames, and 29 frames when shooting RAW+JPEG. It’s noticeably faster, offers eye autofocus, adds some extra tracking options, and works in lower light than before. Continuous H Ext. (Note that we no longer test single-shot mode with just RAW files, as the results are usually somewhere in between JPEG and RAW+JPEG.). If you find a good subject, you’ll be able to use the Z6 in remarkably dark conditions to lock focus precisely. Although this isn’t unworkable behavior, it’s a bit disconcerting if you’ve internalized that red means out of focus and green means tack-sharp. When using the all-electronic shutter (Silent mode), the maximum frame rate is a little slower for 14-bit NEFs at 8 fps but JPEG, TIFF and 12-bit NEFs are still rated up to 12 fps. Below you can see the front view size comparison of Sony A6400 and Nikon Z6. Time per shot, averaged over 35 shot buffer, then slowed to an average of 0.15s or 6.5 fps when the buffer was full. The Z6 focuses best on high-texture areas, so make sure to find subjects with as much contrast as possible when you want to use this feature. Compared to the Nikon Z6 and its battery life of 330 shots, the Sony A7 III has a battery life of 610 shots, which makes it the obvious choice for photographers who plan on doing longer shoots. The good news is that the addition of on-sensor phase-detect pixels lets the Z6 focus quite quickly, and other features like Low-Light AF are better than Nikon’s previous live view attempts. One last thing to note is viewfinder blackout. This basically eliminates focus variances between the camera body and the lens and removes the need for fine-tuning lenses. Each 14-bit lossless compressed RAW file is around 28.2 megabytes – that’s a lot of data to process. The Nikon Z6 II is able to shoot up to 14 FPS vs 12 FPS on the Z6, but this is a small change compared to the buffer, which has increased significantly. Breaking: Nikon Z6 and Z7 full-frame mirrorless cameras and three lenses coming on August 23rd, Z-Noct-Nikkor 58mm f/0.95 lens to be announced later This entry was posted in Nikon Mirrorless Camera , Nikon Z6 , Nikon Z7 and tagged fake news , hoax , Nikon Z6/Z7 EVF blackout . Performance matched Nikon's specification of 12 frames per second for JPEG and 12-bit NEF files, and 9 frames per second with 14-bit NEF files. But that reputation doesn’t carry over to live view autofocus performance, which, even on Nikon’s best DSLRs is quite slow. bonus key features. Single-shot cycle times were quite fast at about 0.4 second for both best quality JPEG and RAW+JPEG frames. The most affordable model in this lineup is the Nikon Z6. It’s not actively bad, and it certainly succeeds more than it fails, but at the same time, you can tell that the Z6 was made for native lenses. Nikon D850 over Nikon Z6 ii for Wildlife ? And this over doubles its predecessor 5.5 FPS rate with tracking and is a substantial improvement. The table above shows the number of shots the camera is capable of on fully-charged battery, based on CIPA battery-life and/or manufacturer standard test conditions. Single Shot mode And in this case, the camera now offers a continuous high shooting rate of 14 FPS without AF or 12 FPS with AF, matching their flagship D6. Although it does a better job locking onto and following your subject than Nikon DSLRs in live view, it can sometimes miss focus in a series of AF-C images. This is a departure from Nikon’s classic design choice, to have an AF-M switch on the front of the camera with an autofocus button inside. Buffer clearing times were pretty short, thanks to the use of fast XQD cards. With the native Z mount lenses, the Nikon Z6’s AF-S (single servo autofocus) is simply excellent and very accurate. As good as the Z6’s low-light AF can be, it still won’t autofocus on a star in the dark of night. Because that’s about where the Z6 is. Nikon Z6 II Category. You can still get plenty of good photos from adapted lenses, generally without focusing issues at all. Bonus $300 DCW Gift Voucher - Ends . The new “low light AF” feature on the Z6 uses longer shutter speeds to gather more light, creating a brighter image preview in order to help the autofocus system lock on in dark environments. All timing performed with the Nikkor Z 24-70mm f/4 S kit lens at ~50mm. That wouldn’t be as big of a problem if more Z lenses were available, but at the moment the selection is quite limited. Nikon Z6 has external dimensions of 134 x 101 x 68 mm (5.28 x 3.98 x 2.68″) and weighs 675 g (1.49 lb / 23.81 oz) (including batteries). You’ll still want to find a subject with good texture, though, not just a single sharp line or soft transition. Nikon’s first full-frame mirrorless cameras, the Z6 and Z7, were more than respectable entries to the market.The Z6 even gave some of Sony’s cameras a run for their money when it came to video. Z6 II vs. Z7 II – advice on which one better for enthusiast level, To watermark or not to watermark on prints. Z 6’s menus and user interface are elegant, clear and easy to navigate with touch control. So, it’s jerky, but you’ll see the scene. Overall, we are happy to see Nikon introduce so many important changes to the autofocus capabilities of the Z6. Nikon Z5 vs Z6: burst shooting. Still, if you change autofocus settings frequently, assigning a custom button is much better than entering the “i” menu all the time. The Nikon Z6 features a continuous shooting speed of 12.0 fps, whereas the Nikon Z7 has a speed of 9.0 fps. 14-bit RAW (Lossless) + L/F JPEG. Here is a video that details how Face / Eye AF and Animal Detection AF work on the Nikon Z6, as well as its low-light autofocus in indoor conditions: So far, our assessment of Eye AF is quite positive. Press the button and spin one dial to change between AF-S, AF-C, and MF. Buffer depth when shooting best quality JPEGs at 12 fps was good at 47 frames, a few more than Nikon's 44 frame spec. However, you have to choose whether to shoot raw or Jpegs files to get this rate. After-all, a significant number of landscape and architectural photographers are using live view for most photos anyway. Here is the full chart, comparing the Z6 to the Z7, D850, D810, D800, and D750: As you can see, the Z6 is solid in terms of overall buffer performance, beating the Z7 and roughly matching the D810 overall (a bit better or worse depending on file type). Second, unlike DSLR cameras that require lenses to always focus at their widest apertures (to keep the viewfinder bright and to allow maximum light to reach the phase-detection system), which results in focus shift issues, the Nikon Z6 stops the lens down to the exact aperture before it focuses, which pretty much eliminates focus shift. Let’s say you’re a D850 shooter, and a group of Nikon engineers offers to build you a better version of live view autofocus. Is this the best balanced mirrorless camera on the market? The autofocus performance from the FTZ adapter is not vastly worse; it’s just a step-down. This, too, could be added with a firmware update, and it would be a very welcome sight. Lastly, note that you cannot use the Z6’s LCD touchscreen to control your autofocus point while looking through the viewfinder. While the Z6 can only shoot at 12fps, the Z6 II achieves 14fps at its fastest setting in the Continuous H (extended) burst shooting mode (continuous AF but with exposure locked at … After extensive shooting with the Nikon Z6 and 200-500mm f/5.6E VR Nikkor lens, I found focus acquisition to be nearly on par with what I experienced with my Nikon D850. When prefocused, shutter lag wasn't much different than manual focus at 65, 56 and 116 milliseconds respectively, which is good. Note that the Z6 does not have an AF-A mode to switch automatically between AF-S and AF-C, which is not a big deal for most of this camera’s users, but nonetheless matters to some photographers. The Canon EOS R beats the Nikon Z6 for resolution by 6 million pixels, but it can’t match the Nikon’s continuous shooting frame rate, full frame 4K UHD video, ISO range or price. Once you assign autofocus settings to a good custom button, you’ll find that the Z6 works in much the same way as other Nikon cameras. To minimize the effect of different lens' focusing speed, we test AF-active shutter lag with the lens already set to the correct focal distance. Although one could argue that the autofocus system on the Nikon Z6 is somewhat inferior in AF speed and accuracy to Nikon’s proven 51-point phase-detection AF found on the Nikon D750 and D780 cameras, some of the AF features of the Z6 are game-changing for Nikon. Time per shot, averaged over 29 shot buffer, then slowed to an average of 0.22s or 4.6 fps when the buffer was full with a lot of variation. Considering all the latest firmware improvements, the Nikon Z6 has clearly stepped up its autofocus performance in a number of ways. It’s fast and accurate, and it has enough options to make autofocus easy even in tricky conditions. This is the best-case scenario – other shots taken at different distances and angles showed slight inaccuracies in Eye AF precision, especially when the subject was constantly moving, which is normal. The Nikon Z6 is capable of shooting at up to 12 frames per second, which is pretty impressive for any camera today. Offering a 24MP full-frame sensor, in-camera 5-axis stabilization and high-quality 4K video shooting, the Z6 II provides a similar feature set to its predecessor, but with some differences. Menu items, options, and messages that appear in the camera displays are shown in bold.Throughout this manual, the display in camera monitor and viewfinder during shooting is referred to as the “shooting display”; in most cases, the illustrations show the monitor. As mentioned earlier, this takes away a spot to assign something like metering or bracketing. Below you can see the front view size comparison of Nikon Z6 II and Nikon Z6. Once updated, it is now possible to configure one of the function buttons to engage the subject-tracking mode with a single press of a button. Although it is Nikon’s first attempt at this feature, it works quite well for tracking the eyes of a subject at moderate distances. You’ll also find that the Z6 gives up focus more quickly in general, regardless of lighting conditions. One last thing to note is viewfinder blackout. (Interested readers can find an English translation of the CIPA DC-002 standards document here. The updated processors have led to notable increases in continuous shooting performance, however. I put the new Nikon Z6 mirrorless camera through its paces for astrophotography. Let’s take a quick look at the comparison of all AF mode options on the Nikon D750 and Z6: As you can see, while the Nikon D750 has more complex autofocus tracking algorithms, including Group Area AF, the Nikon Z6 is capable of performing Eye and Animal Detection autofocus, which the D750 cannot do, even when shooting in live view mode. To stop tracking or change the subject, you simply let go of the focus, which resets the box to the center of the frame. For one, low-light AF doesn’t work as well, so you’re confined to brighter shooting conditions. The Z6 II and Z7 II … Gain maximum flexibility when shooting video. I took the photo below in very low light environment and the camera was able to autofocus on the rocks without any issues: In fact, I like the brighter preview so much that I wish you could use it while focusing manually, particularly for something like Milky Way photography. Nikon’s 153-point phase-detection system on cameras like the Nikon D500 is excellent. Personally, I’ve chosen to assign my movie record button to change autofocus settings, and it’s not a bad solution. Your camera may have just a C (Continuous) or CL (Continuous low) and CH (Continuous high). Perhaps that’s more important to you than the advantages of the old viewfinder autofocus system. When using smaller apertures like f/8-f/22, the camera keeps the lens locked at large enough aperture to pass sufficient light to the sensor, then stops the lens down to the desired aperture right before the image is captured. Continuous shooting at 12 fps lasts approx. This makes the Z6 very usable for continuous shooting. The Nikon Z6 has an impressive continuous shooting speed of 12.0fps, so it is definitely the quicker option. Switching from Play to Record and taking a shot was about twice as fast. 12 fps* with AF and AE tracking. Cycle times and the fastest burst mode were excellent for its class, even rivalling some pro sports DSLRs in terms of burst rate (if not in AF performance), while buffer depths were pretty good. So if that’s mostly what you do, you might want to hang on to your DSLR and wait until Nikon’s mirrorless AF system fully catches up. The CIPA-rated 310 shots per charge using the EVF and 380 shots with the LCD are below average for a mirrorless camera, and keep in mind the Z6 doesn't have a built-in flash which only reduces CIPA battery life (it's fired for 50% of shots in the CIPA battery-life test). 3 s in 12-bit RAW with AF. The Nikon Z 7 has three continuous shooting modes, Low, High and High (Extended) (or H+). With this change, your live view autofocus system is more responsive overall, and it works better in low-light conditions. 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2020 nikon z6 continuous shooting